Apply in the wonderful world of the alternative scene a few albums as legendary. Their fame has spread from the mouth to mouth and from generation to generation and their value is indisputable is insensitive to criticism by dogmatic and almost perfect hedonically influential. Unfortunately, these albums are not nearly as many and as time passes, with the rapid transmission of music over the Internet and the commercialization of music from record companies, lost magic. Onthe other side, luckily enough, the inner necessity, with the idols, and to identify in a form of art that honored to integrate the mystical adoration of the darkness and the sad, the apotheosis of solitude and the flirtation with death in a fascinatingly produced magical world, "pornography", the fourth album by The Cure, which is regarded by the fans of the group as their absolute masterpiece.
It is no secret that the conditions under which "pornography" was recordedwere extremely poor so much for the fragile unity of the group, but also for the psyche of Robert Smith. arguments and conflicts between members of the group, dramatic concert with Smith withdrawing from the stage with absolutely wines with the character he embodies the rivers of alcohol and drugs was to identify the setting that was firmly guided by three albums up to that date. First, "Three Imaginary Boys", a fairly immature efforts of post-punkEase, as Smith also had to "Seventeen Seconds" and "Faith", that were in the dark albums, had shown the British scene. At the time of "pornography," The Cure have been balancing on a rope, which deify or it would destroy. Robert Smith had already begun, the new martyrs of the British rock and the burden on the shoulders of a young man from Crawley, Sussex eligible considered to be extremely difficult.
The group entered the RAK Studio OneLondon in January 1982 with a pessimistic available. Simon Gallup, bassist of The Cure, had said, characteristically, that had conquered all nihilism. This follows from the first stanza in terrible "100 years of hand". The frozen despair Robert Smith sings "It does not matter if we all die", of screaming guitars and hard bass, directly Hitchcock setting anchored. Distant sounds, which gradually revive bribe then again hide the atmosphere asas ghosts in a haunted house in the classic gothic rhythms of "A Short Term Effect". "Siamese twins" could be a very nice piece, but it is purposely bare essentially driven guitar riff, the voice of catatonic Smith and the monotonous drum tempo, turning it into a grim manifesto "Sing out loud that we all laughed into the fire, it is always so.
"Hanging Gardenf" is one of the bravest Singles by The Cure. Your record company, withdespair with the non-commercial material of the plate, decided to promote "Hanging Garden" to improve the promotion of "pornography", considering that he single as "negotiable" part of the plate. "Hanging Garden" is a minimalist, untamed subject of virtue, the top 40 entered the UK charts. "Advertisement" ghost house is an invitation to a party in the dark world of Robert Smith. "Sharp and open leave me alone and sleeping less every night, when the days are getting harderand weighted to wait in the cold light "he sings with real pain, as he admits in a rare moment of worldliness" I could lose in Chinese art and American girls. "
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